Tag Archives: education

Love for NGOs in Belize

A montage of four photos, each representing one of the NGOs that is highlighted below. The first photo is of a gift shop, the second is of an adorable puppy, the next is of children in a library, and the last is of a natural spring swimming hole in Belize.

Tomorrow is Valentine’s Day, and in honor of love, I’m going to show some love for the NGOs I interacted with or noticed while on my recent two-week trip to Belize.

I was not volunteering in Belize; I was vacationing. But when I travel, I always do so with a mind to transire benefaciendo: “to travel along while doing good.” So here’s a thread to highlight some awesome NGOs I encountered as a tourist in Belize:

The Belize Audubon Society. They staffed some of the sanctuaries and parks we visited. And staff was always AWESOME. Note: they have volunteering opportunities!

Cayo Animal Welfare Society. It’s the Humane Society serving San Ignacio / Santa Elena and the Cayo District of Belize. I wrote them about a disturbing incident of dog abuse by the people operating a snack shack at Cahal Pech & they promptly wrote back.

Maya Center Women’s Group. They have a cultural center & gift shop at the entrance of Cockscomb Basin Wildlife Sanctuary. They are local artisans & by purchasing from them, you help sustain their families. They are lovely to talk to.

Miss Bertie’s Hopkins Community Library. We walked by it every day we were in Hopkins, Belize. But I never went in, because it was either closed or OH so busy & I didn’t want to be a bother. But what an important resource!

Please show them some love as well: go like some of their Facebook posts. If you can, make a financial donation to any or all of them!

Why did these groups get my attention? Because I encountered them while visiting a site and they were particularly helpful, because they had a great presence wherever they were located and that presence jumped out at me when I went by, and/or because I asked them a question online and they responded. Does YOUR nonprofit or NGO meet all of that criteria, wherever it is in the world?

And next time you travel, I hope you will consider keeping in mind transire benefaciendo.

Addressing criticism, misinformation & hate speech online

angryjayneEvery program, agency or individual will face criticism online. Every organization and person will have to address misinformation online as well. We have always lived in a world of criticism, hate speech and misinformation – with the Internet, that speech can be instantly widespread.

No matter how large or small your nonprofit, NGO or government program is, your communications staff needs to be ready to address criticism and misinformation – and worse – online. Here are five resources, some by me, that can help:

  • How to Handle Online Criticism / Conflict. Online criticism of a nonprofit organization, even by its own supporters, is inevitable. It may be about an organization’s new logo or new mission statement, the lack of parking, or that the volunteer orientation being too long. It may be substantial questions regarding an organization’s business practices and perceived lack of transparency. How a nonprofit organization handles online criticism speaks volumes about that organization, for weeks, months, and maybe even years to come. There’s no way to avoid it, but there are ways to address criticism that can help an organization to be perceived as even more trustworthy and worth supporting.
  • Recommendations for UN & UNDP in Ukraine to use Twitter, Facebook, Blogs and Other Social Media to Promote Reconciliation, Social Inclusion, & Peace-Building in Ukraine (PDF). This is a draft document I submitted to UNDP Ukraine just before I left Kyiv in October 2014, having completed my term there as a “Surge” Communications Advisor. This draft document offers considerations and recommendations for social media messaging that promotes reconciliation, social inclusion, and peace-building in Ukraine. It provides ideas for messaging related to promoting tolerance, respect and reconciliation in the country, and messaging to counter bigotry, prejudice, inequality, misperceptions and misconceptions about a particular group of people or different people among Ukrainians as a whole.
  • UNESCO’s Countering Online Hate Speech, a free publication from UNESCO (pdf), spends most of its time talking about what is and isn’t hate speech, but does have some good information about countering hate speech and misinformation, without censorship, in the chapter “Analysing Social Responses”, specifically the sections on Monitoring and discussing hate speech, Mobilizing civil society, Countering online hate speech through media and information literacy, Citizenship education and digital citizenship, Education as a tool against hate speech, Development of critical skills to counteract hate speech online, Educational goals of media and information literacy to respond to hate speech, and Assessing media and information literacy and education initiatives (pages 33-41, and 46-52).
  • I have also been gathering and sharing examples for a few years now of how folklore, rumors and urban myths interfere with development and aid/relief efforts, as well as recommendations on preventing or responding to such.
  • List of my blogs related to conflict, free speech, reconciliation, etc. – my blogs that talk about conflict, extremism, extremists, hate speech, words, offensive, offended, hating, haters, reconciliation, toleration, free speech, apologies and inclusion.
  • Feuds in the nonprofit/NGO/charity world

On a related note, You have an obligation to be truthful online.

Arts education is ESSENTIAL, not a nice extra

Amy Cuddy and CBS This Morning are in love with “power poses.” The “news” story they did recently was all about how standing or sitting a certain way, even if no one is looking at you, can help you feel more confident and powerful, and when done in front of other people, allow them to see you as such. Certainly body language is very important in presentation, for both the presenter and those you want to listen, but I was cringing over some of the recommendations, like for the pose where you sit in your chair and put your feet up on your desk as you talk to others – which, as anyone who works internationally knows, is profoundly disrespectful to people in a room with you. And the reporter’s fawning over a photo of Cuddy’s husband, in a pose they loved but that, to me, was demanding and demeaning to the viewer in a way that made me want to leave the room and get as far away from him as possible.

But what really ticked me off was this exchange:

“We don’t learn this stuff in school,” the interviewer, Rita Braver, said.

“No, we don’t teach it,” replied Cuddy.

Um… I learned it in school. I learned it in choir. You know, one of those arts classes that a lot of people that want to “revolutionize” and “disrupt” schools think are unnecessary in schools and should be replaced with more practical classes? If you were in any of the choirs in the Henderson County, Kentucky school system, you learned very quickly how to sit and how to stand, even when you weren’t singing. Certain postures were required, and other postures absolutely banned in the classroom. And those posture requirements have stayed with me to this day, decades later; I don’t sing in a choir anymore, but I know how to sit or stand in a meeting to indicate I am listening, that I hear you, and how to sit or stand so that you will feel compelled to listen to me. Performing in school plays also helped me with posture, with saying something by the way I was standing or sitting: fear, disinterest, confidence, surprise, and on and on.

But posture and presentation skills aren’t the only things that choir and drama activities in school gave me and that continue to serve me: I also know how to work in a team and meet a deadline, and how to dream, how to imagine, how to think creatively. There is a creative process, one that gets kick-started and flourishes when you go to art galleries, watch movies, read novels, and if possible, participate in making art yourself – singing, dancing, drawing, performing. You stare at clouds or a field or trees instead of a lit screen, and you let your mind wander, so that you can actually get ideas, so that you can formulate your own ideas. A lot of times ideas will turn up when you’re doing something else. Creativity is vital for most successful entrepreneurs or people brought in to improve a project, a program or an entire business. You don’t just disrupt a project or program or entire organization just because you can – you look for new ways of doing things that are needed by those served, an innovation that increases efficiency, that better addresses needs and challenges, and that keeps staff inspired – not just a change for change’s sake – and those disruptions come from inspiration, from creativity.

Neil de Grass Tyson, David Byrne, talked recently in an interview on Star Talk about the VITAL importance of arts education to innovators in any field – business, engineering, scientific research, whatever. I cried over this 3:44 minute part of the show, where an astrophysicist talks about why arts is VITAL to creativity. I could not agree more.

Instead of taking arts-related classes and learning to imagine, some Silicon Valley tech workers are taking LSD to be more creative. That’s so sad. Start a company choir. Dance. Try out for community theater. Have a reading of a Shakespeare play at your house. And sit up straight!

Also see:

That ‘Useless’ Liberal Arts Degree Has Become Tech’s Hottest Ticket

Why Top Tech CEOs Want Employees With Liberal Arts Degrees

theater as a community development/education tool – it takes more than artists

It’s been a few years now since, for my Master’s degree, I embarked on a year-long investigation of the non-artistic elements necessary for success in “Theater as a Tool for Development” initiatives. It’s a subject that remains a very big interest for me. I wish I had the time and resources to research it further!

There are numerous organizations using theater techniques as part of their community development / education activities all over the world – for instance, to educate children about a health issue – and there are also numerous initiatives, publications, web sites and individuals that promote and chronicle successes regarding live, in-person performance as an effective tool for development. Even in our current age saturated with multi-media, live, in-person performance/TfD is a popular and effective tool for education, outreach and capacity-building regarding a variety of development issues, such as HIV/AIDS prevention, domestic violence, evolving gender roles, or good sanitation practices

However, there is little information on what has to be in place before these techniques are used, excluding performer training, to better ensure that these techniques will be well-received by an audience/participants, and to better ensure that the desired outcomes will be generated. My research was meant to fill in a bit of that gap. And my conclusion? Without deliberate, thoughtful cultivation of support for and trust in such an initiative among staff at the lead agency, among partner organizations, and among those for whom the theater-for-development techniques will be used, and without clear definitions of what everyone expects from TfD activities, such efforts will fail, no matter how experienced or enthusiastic your artistic staff is. In fact, in one case I studied, not doing this groundwork before hand turned out to be deadly.

My project included a review of key literature on TfD, and semi-structured interviews with 12 TfD practitioners. You can read online:

If you have undertaken similar research – not about theater as a tool for development, but specifically what needs to happen before such activities take place in order for them to be successful, give me a shout.